Sometimes, the time between a movie is planned, shot, edited, scored, promoted and released, its intended meaning changes along with the time it finds itself released upon. There’s no way actress/producer Jessica Chastain and director Niki Caro could have known what was in store for our political landscape of 2017 when the film was first set up in 2013 or when it went in to production in the fall of 2015, and perhaps it’s because of where we are today, with women and their rights under siege daily, that the film has extra adde poignancy and relevancy it may not have had if things turned out differently last November.
I think I figured out why first time director Reed Tang’s “A Different Sun” feels so darned disjointed. How else can you describe a drama about a Chinese family who moves to Germany to help their daughter get a better education, which is mostly in English and almost exclusively shot in upstate New York?
Sometimes, a movie that would be little more than a Movie of the Week in America can seem refreshing because it’s from another country. Wei Zhang’s “Destiny” falls in to this category, giving us a little glimpse in to how autism is discussed and dealt with in China.
Prom King, 2010
It is said that neophyte filmmakers should stick to things they know. It is clear that Christopher Schaap, the writer/director/star of the new film “Prom King, 2010” knows a thing or two about the mavericks that came before him. It may be bit premature to put Schaap in the same league as John Cassavetes and John Sayles, but this New York-based filmmaker’s debut should be as exciting to cinephiles as “Shadows” was in 1959 or “Return of the Secaucus 7” was in 1980.
Director Lindsey Copeland’s second feature “Hedgehog” fails one of the most basic tenets of storytelling. If you can’t make your lead character likable, at least make them compelling. And if you can’t make them compelling, at least make them interesting. And if you can’t make them interesting, at least make it worth our while to follow them.
One of the wonderful things about attending film festivals is discovering new films you might not have ever gotten the opportunity to see otherwise. Discovering a new film from a first-time director, with lesser-known actors and one somewhat familiar face, is even better. And when that film is pretty damn good? Well, that’s why you get in to a racket like film criticism in the first place.