FilmJerk Favorites

A group of unique directors and the essential works that you've got to see.

||| John Huston |||
John Huston

Over the span of his impressive career director John Huston created one of the most distinctive signatures in the history of the movies without limiting the incredible range of his subject or choice of genre.

At first it's hard to believe that macho director John Huston could be responsible or such a sweet and touching story of a Novitiate nun (Deborah Kerr) and a Marine (Robert Mitchum) dependant on one another as they hide from the Japanese on a Pacific island, but for those familiar with "The African Queen" it isn't hard to see his influence on the strong yet subtle impressive performance he draws from Mitchum and the ever present excitement he creates in this WWII drama. In Widescreen!

Only a director as abundantly macho as John Huston could so adeptly handle such testosterone laden stars Sean Connery and Michael Caine in this rousing Rudyard Kipling adventure set in 1800s India. Huston masterfully balances the fun of male camaraderie with constant imminent danger as the two soldiers attempt to dupe a remote village of their gold by passing off Connery as a god, and in the process produces a Kipling adventure to rival "Gunga Din". Widescreen

Huston co-wrote this gritty and trend-setting drama about a gang of small-time crooks who plan and execute the "perfect crime". This is the grand daddy of caper films executed with a firm expert hand that unflinchingly guides the raw performances (including Marilyn Monroe in her first role) of these dark and ill-fated characters.

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Bandidas

By BrianOrndorf

September 22nd, 2006

Luc Besson turns his attention to the western genre with “Bandidas.” Chillingly featherweight, but still oodles of corset-and-six-gun fun, the peppery charms of stars Penelope Cruz and Salma Hayek routinely save the picture when Besson and his production team run out of things for the actresses to do.

Bandidas

When a ruthless enforcer (Dwight Yoakam) sweeps across Mexico deviously swindling small towns out of their banks to control a railroad line, he leaves behind a bloody trail of bodies in his wake. Two of the dead are the fathers of Sara (Salma Hayek) and Maria (Penelope Cruz), two polar opposite Mexican women who decide to team up and rob the banks before the bad guys can get to them. With the reluctant help of an American “criminal science” officer (Steve Zahn), the bandidas ride across Mexico, attempting to liberate the country from the clutches of evil.

After spending an extended amount of time tackling the action genre with superb results (“District B13,” “Unleashed”), producer and co-writer Luc Besson is looking for a change of scenery. Taking his to-the-point filmmaking formula to the western stage, “Bandidas” is a strangely entertaining action comedy that accomplishes a lot more Mexican fun and adventure than the last Zorro sequel could muster. It’s incredibly inconsequential, buttery entertainment, but it’ll surely put a smile on your face if you can find a way to appreciate its rambunctious spirit.

Debuting directors Joachim Roenning and Espen Sandberg waste little time getting to the heart of this venture, using a measly 20 minutes of screentime to set up both Maria and Sara’s impetus for revenge. From there, the film tears off in dusty, corset-pinched fury, putting the two actresses through minor stunts, speedy comic banter (well, as speedy as the actresses can get with their accents), and some cat fighting for fans of physical comedy and general perverts.

Clearly, this is a huge departure in tone for Hayek and Cruz. Given the chance to play with jokes and guns, the actresses take great delight in the project, willing and able to go wherever Besson can dream. Cruz especially seems to be having a ball, freed from her traditional heavy dramatic roles and set loose in a Wild West setting. Friends behind the camera as well, Hayek and Cruz share tremendous chemistry, and their goofy, competitive interplay keeps the film rolling when the filmmakers have trouble deciding what exactly to do with these bank robbers, or how best to exploit the actresses’ roman candle sexual appeal – settling on a single iffy scene where the duo assume the guise of saloon prostitutes to convince Zahn of evildoing.

A slightly wacky western comedy, “Bandidas” doesn’t exactly hold much dramatic weight. In keeping things so frothy, the film sometimes, even at 85 minutes, runs out of inspiration. The climax involving gold bars, a train, and a bullet-time skirmish comes across as a contrived, ordinary way to close the film, replacing the magnetism of Hayek and Cruz with overthought action to exit on a grand note. If anything had been clearly demonstrated by this point, it’s that Hayek and Cruz should be the focal point no matter what action beats the story demands.

My rating: B