FilmJerk Favorites

A group of unique directors and the essential works that you've got to see.

||| David Lean |||
David Lean

Honored with the American Film Institute Life Achievement Award in 1990, Lean’s body of work (ranging from the intimate film to the grandiose epic) demonstrates an obsessive cultivation of craft and a fastidious concern with detail that has become the very definition of quality British cinema.

Adapted from Noel Coward’s one-act play, Lean takes a potentially boring story of middle-age flirtation and tenderly creates one of the most enduring and poignant romance films ever made. Brilliantly underplayed, two happily married strangers meet by chance in a railway station and fall desperately in love, but never physically express the undercurrent of passion that exists between them, even during their final gut wrenching separation – if your heart doesn’t ache, you’re just not human!

Demonstrating moments of intimacy through gigantic display, Lean sets up the greatness of Pip’s expectations with the magnitude of his frightful encounters; one with an escaped convict, whose emerge into the frame reminds us what it’s like to be a child in a world of oversized, menacing adults, and another with the meeting of mad Miss Havisham, in all her gothic splendor.

Peter O'Toole made an enigmatic and lasting impression in his debut role as British officer T.E. Lawrence, who helped Arab rebels fight the Turks in WWI, and Omar Sharif has perhaps the greatest cinematic intro of all time as he magically appears through the ghostly waves of the desert heat, achieving Lean’s compulsive drive to create the perfectly composed shot. Alec Guinness, Anthony Quinn, Jose Ferrer, and Claude Rains round out this incredibly talented and magnetically charged cast.

Recommended by CarrieSpecht

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It Happened One Night

By CarrieSpecht

June 6th, 2006

The Oscar winning 1934 comedy directed by Frank Capra is showing at the Aero Theater in Santa Monica Wednesday, June 14 at 7:30pm!

It Happened One Night

If you haven’t had the pleasure of previously seeing this exceptional example of the “screwball” comedy then I highly recommend that you take advantage of seeing it on the big screen. Actually, I envy you the unique opportunity of seeing a truly classic film for the first time the way it’s meant to be seen: in a darkened theater, with a bag of popcorn and a cuddly date.

“It Happened One Night” was the first film to win all five major Academy Awards including Best Picture, Best Actor, Best Actress, Best Director, and Best Screenplay. And for good reason. This exceptionally entertaining film stars Clark Gable as a pushy news-hungry reporter chasing runaway rich girl Claudette Colbert from Miami to New York. The story follows what is now the formulaic routine of a mismatched couple fighting and rubbing each other the wrong way as they make a road trip, eventually falling in love in between their snappy dialogue and bickering.

This film marked the beginning of Capra’s reign as the master craftsman of the light comedy, which in his hands would evolve into the comedy/drama with “Mr. Deed’s Goes to Town” and later, “Meet John Doe”. This comedy also cemented Clark Gable as the “King” of Hollywood, a title he would hold for the duration of his career. Gable’s popularity with women and men was such that, when he removed his shirt in the famous motel scene and showed that he was not wearing an undershirt (something every man wore at the time), there was an immediate and lasting negative impact upon undershirt sales. Handled by a lesser personality, this stock reporter would flounder as a two dimensional character. But it’s a testament to Gable’s off screen popularity and bigger than life personae that he is able to give “Peter” the cinematic weight needed to ensure this character an enduring place in film history.

Lovely Claudette Colbert is in her prime, creating the original mold for the obnoxious young woman who whines and complains, moaning about life’s little everyday inconveniences that we humble folk never think twice about. Colbert’s caustic and witty feminine foil precedes Jean Arthur, Barbara Stanwyck, and Katherine Hepburn, all of whom would play similar rolls in later Capra films.

It’s been said that they just don’t make movies like this any more. And they really don’t, nor could they if they tried. So do yourself a favor, and don’t miss this great opportunity for a perfect “date movie”.

My rating: A