FilmJerk Favorites

A group of unique directors and the essential works that you've got to see.

||| John Ford |||
John Ford

One of the art form's grand masters of all time, Ford is responsible for influencing the seminal directors of generation after generation. Strongly associated with the impressive body of work created over a lifetime with collaborator John Wayne, it is nearly impossible to choose just three… but here it goes.

This powerful winner of the Best Picture Academy Award is set in Wales at the turn of the 19th century, and tells the story of a family of miners, whose lives are filled with danger and repression. The film is beautifully crafted, lovingly depicting the gut wrenching sacrifices and light-hearted moments that are elemental to family life, making this film a true representation of the craft that is unmistakably John Ford.

This film is told in flashback as James Stewart, after a long absence, returns home for the funeral of a friend who saved his life from a sadistic outlaw. This classic covers every essential element required to qualify as a western epic from unlikely friends to the girl who comes between them, to the enemy they both despise, but handle with extremely different approaches, to Fords signature cast of supporting characters, all combine to make this a staple for every fan of this uniquely American genre.

This romantic comedy seen through the eyes of John Ford has John Wayne ( an American-raised boxer) go to Ireland to the village of his birth, fall for feisty Maureen O'Hara, and fight with town ruffian Victor McLaglen in one of the all time classic screen brawls. This is an exceptionally fine romantic movie that with Ford’s capable bravado manages to be a film that any man’s man can openly enjoy.

Recommended by CarrieSpecht

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It Happened One Night

By CarrieSpecht

June 6th, 2006

The Oscar winning 1934 comedy directed by Frank Capra is showing at the Aero Theater in Santa Monica Wednesday, June 14 at 7:30pm!

It Happened One Night

If you haven’t had the pleasure of previously seeing this exceptional example of the “screwball” comedy then I highly recommend that you take advantage of seeing it on the big screen. Actually, I envy you the unique opportunity of seeing a truly classic film for the first time the way it’s meant to be seen: in a darkened theater, with a bag of popcorn and a cuddly date.

“It Happened One Night” was the first film to win all five major Academy Awards including Best Picture, Best Actor, Best Actress, Best Director, and Best Screenplay. And for good reason. This exceptionally entertaining film stars Clark Gable as a pushy news-hungry reporter chasing runaway rich girl Claudette Colbert from Miami to New York. The story follows what is now the formulaic routine of a mismatched couple fighting and rubbing each other the wrong way as they make a road trip, eventually falling in love in between their snappy dialogue and bickering.

This film marked the beginning of Capra’s reign as the master craftsman of the light comedy, which in his hands would evolve into the comedy/drama with “Mr. Deed’s Goes to Town” and later, “Meet John Doe”. This comedy also cemented Clark Gable as the “King” of Hollywood, a title he would hold for the duration of his career. Gable’s popularity with women and men was such that, when he removed his shirt in the famous motel scene and showed that he was not wearing an undershirt (something every man wore at the time), there was an immediate and lasting negative impact upon undershirt sales. Handled by a lesser personality, this stock reporter would flounder as a two dimensional character. But it’s a testament to Gable’s off screen popularity and bigger than life personae that he is able to give “Peter” the cinematic weight needed to ensure this character an enduring place in film history.

Lovely Claudette Colbert is in her prime, creating the original mold for the obnoxious young woman who whines and complains, moaning about life’s little everyday inconveniences that we humble folk never think twice about. Colbert’s caustic and witty feminine foil precedes Jean Arthur, Barbara Stanwyck, and Katherine Hepburn, all of whom would play similar rolls in later Capra films.

It’s been said that they just don’t make movies like this any more. And they really don’t, nor could they if they tried. So do yourself a favor, and don’t miss this great opportunity for a perfect “date movie”.

My rating: A