FilmJerk Favorites

A group of unique directors and the essential works that you've got to see.

||| Francis Ford Coppola |||
Francis Ford Coppola

Coppola is an amazing talent whose inspiration and influence spans many generations. Virtually the link between the studio system of yesteryear and the independent minded filmmaker of the modern age, Coppola became the first major film director to emerge from a university degree program in filmmaking, thus legitimizing a now common route for many future filmmakers.

This Academy Award winner continues to enjoy an enormous critical and popular success due in large part to Coppola’s ability to break down an epic saga of crime and the struggle for power into the basic story of a father and his sons, punctuating the prevalent theme throughout Coppola’s oeuvre: the importance of family in today’s world. His personal portrait mixed tender moments with harsh brutality and redefined the genre of gangster films.

This intense, yet unassuming thriller has an impact that touches the viewer on a personal level and raises the question of privacy and security in a world of technology – thirty years ago! Coppola’s then virtually unknown cast is a roster of inevitable superstars, including Gene Hackman, Harrison Ford, and Robert Duvall. This Academy Award nominee for Best Picture, Best Original Screenplay, and Best Sound lost out to Coppola’s other great effort of the year, The Godfather: Part II.

Coppola's masterful Vietnam War-updating of Joseph Conrad's "Heart of Darkness" was the first major motion picture about the infamous “conflict”. This colossal epic was shot on location in the Philippines over the course of more than a year and contains some of the most extraordinary combat footage ever filmed. Unforgettable battle sequences and sterling performances from every cast member (including Marlon Brando, Robert Duvall, Dennis Hopper, Laurence Fishburne, Harrison Ford, Scott Glenn, and Martin Sheen) mark this Academy Award-winning drama as a must-see for any true film fanatic.

Recommended by CarrieSpecht

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Barbershop 2: Back in Business

By BrianOrndorf

February 6th, 2004

“Barbershop 2” achieves what most sequels can only wish for: it’s actually much better than the original film. Blessed with a new, more talented director who knows a thing or two about pace, as well as a couple of deeper pockets in the budget department, making this latest installment of the neighborhood barbershop saga is a solid, entertaining sit.


After fending off the temptation to sell his family barbershop, Calvin (Ice Cube) is now faced with another trial: direct competition, in the form of a high-end chain haircut shop opening across the street. Watching the community give in to a greedy land developer (Harry Lennix, “The Matrix Reloaded/Revolutions”), Calvin and his employees (including Cedric the Entertainer, Michael Ealy, Eve, Troy Garity, and Keenan Thompson) try to keep the shop alive, hoping the neighborhood will support their homegrown business even as they decide to change their particular way of conducting business, and lose their unique identity in the process.

2002’s “Barbershop” was a mild urban comedy encrusted with lessons about family, unity, and the valuable resource of community. Released during a hailstorm of less than ideal cinematic representations of the African-American community, the film was a rather large hit, considering its modest expectations. Beating its copycats to the punch, Ice Cube (who also produces) and company have set up shop again, a mere 16 months later, for “Barbershop 2.” And like a monthly visit to the barbershop, this sequel is basically the same style, just with a little more taken off the sides, and a much tighter fade.

Coming from the school of “if it ain’t broke, don’t fix it,” “Barbershop 2” picks up right where the original left off, with Calvin and his community fending off a new threat to his neighborhood institution. Call me a curmudgeon, but I found the first “Barbershop” to be an earnest, but helplessly disorganized motion picture, mixing long periods of welcome thought on the erosion of community pride with awful slapstick and 1st gear romances. “Barbershop 2” has the benefit of hindsight, with new director Kevin Rodney Sullivan (“How Stella Got Her Groove Back”) mixing the varying temperatures of the screenplay with more skill and an genuine effort to sharpen the pace. He even manages to make the rather blatant plugs placed throughout the film for the upcoming “Barbershop” spin-off, Queen Latifah’s “Beauty Shop,” seem like a natural forward movement of the story.

Under Sullivan’s guidance, the comedy is actually hilarious (thanks to a scene stealing Cedric the Entertainer, and Latifah‘s sly ribbing of his age during a neighborhood barbeque), the messages just a little bit more touching, and the drama runs deeper. This sequel builds on the laidback charms the original introduced, and like a good continuation should, develops the characters and the ideas with more finesse, since audiences are in a more forgiving mood with sequels. “Barbershop 2” is far from perfect though. It labors through the last act mechanics with inadequate passion, and I could really do without ever seeing the bottomlessly unfunny Keenan Thompson (“Saturday Night Live”) onscreen again. But Sullivan tightens the focus in his sequel, thus creating a better representation of the community spirit that Ice Cube was going after with his original film, outside of the entertaining shop floor trash-talking (“2” finds R. Kelly, Bill Clinton, and Luther Vandross as the targets) and romantic subplots that previously dominated attention.

What the two “Barbershop” films symbolize to the urban cinematic landscape is far more important than the films themselves, but “Barbershop 2” is a definite improvement on the core idea, and that’s all I was looking for.

My rating: B