FilmJerk Favorites

A group of unique directors and the essential works that you've got to see.

||| Elia Kazan |||
Elia Kazan

Known for his creative direction and controversial story choices, Kazan was not only a great proponent of “method acting” and one of the founders of the Actors' Studio, but he used the style to its greatest effect, working with actors to capture unforgettable moments that bore his unique signature.

Under Kazan's potent direction Andy Griffith gives a stunning portrayal of a Southern itinerant singer catapulted to fame, with dehumanizing effects, in this early look at the power and corruptibility of television celebrity.

Gregory Peck is a humble and idealistic magazine writer who researches an article on anti-Semitism and learns first-hand about prejudice when he poses as a Jew. The film is unique in its ability to be quietly strong and subtly powerful while remaining constantly engaging.

Winner of eight Academy Awards, this powerful and brilliantly performed saga focuses on the dreams, despair and corruption of New York City longshoremen, Marlon Brando as he struggles over the choices of right and wrong and what that means to his brother, corrupt union officials, his priest, and his girlfriend.

Recommended by CarrieSpecht

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Barbershop 2: Back in Business

By BrianOrndorf

February 6th, 2004

“Barbershop 2” achieves what most sequels can only wish for: it’s actually much better than the original film. Blessed with a new, more talented director who knows a thing or two about pace, as well as a couple of deeper pockets in the budget department, making this latest installment of the neighborhood barbershop saga is a solid, entertaining sit.


After fending off the temptation to sell his family barbershop, Calvin (Ice Cube) is now faced with another trial: direct competition, in the form of a high-end chain haircut shop opening across the street. Watching the community give in to a greedy land developer (Harry Lennix, “The Matrix Reloaded/Revolutions”), Calvin and his employees (including Cedric the Entertainer, Michael Ealy, Eve, Troy Garity, and Keenan Thompson) try to keep the shop alive, hoping the neighborhood will support their homegrown business even as they decide to change their particular way of conducting business, and lose their unique identity in the process.

2002’s “Barbershop” was a mild urban comedy encrusted with lessons about family, unity, and the valuable resource of community. Released during a hailstorm of less than ideal cinematic representations of the African-American community, the film was a rather large hit, considering its modest expectations. Beating its copycats to the punch, Ice Cube (who also produces) and company have set up shop again, a mere 16 months later, for “Barbershop 2.” And like a monthly visit to the barbershop, this sequel is basically the same style, just with a little more taken off the sides, and a much tighter fade.

Coming from the school of “if it ain’t broke, don’t fix it,” “Barbershop 2” picks up right where the original left off, with Calvin and his community fending off a new threat to his neighborhood institution. Call me a curmudgeon, but I found the first “Barbershop” to be an earnest, but helplessly disorganized motion picture, mixing long periods of welcome thought on the erosion of community pride with awful slapstick and 1st gear romances. “Barbershop 2” has the benefit of hindsight, with new director Kevin Rodney Sullivan (“How Stella Got Her Groove Back”) mixing the varying temperatures of the screenplay with more skill and an genuine effort to sharpen the pace. He even manages to make the rather blatant plugs placed throughout the film for the upcoming “Barbershop” spin-off, Queen Latifah’s “Beauty Shop,” seem like a natural forward movement of the story.

Under Sullivan’s guidance, the comedy is actually hilarious (thanks to a scene stealing Cedric the Entertainer, and Latifah‘s sly ribbing of his age during a neighborhood barbeque), the messages just a little bit more touching, and the drama runs deeper. This sequel builds on the laidback charms the original introduced, and like a good continuation should, develops the characters and the ideas with more finesse, since audiences are in a more forgiving mood with sequels. “Barbershop 2” is far from perfect though. It labors through the last act mechanics with inadequate passion, and I could really do without ever seeing the bottomlessly unfunny Keenan Thompson (“Saturday Night Live”) onscreen again. But Sullivan tightens the focus in his sequel, thus creating a better representation of the community spirit that Ice Cube was going after with his original film, outside of the entertaining shop floor trash-talking (“2” finds R. Kelly, Bill Clinton, and Luther Vandross as the targets) and romantic subplots that previously dominated attention.

What the two “Barbershop” films symbolize to the urban cinematic landscape is far more important than the films themselves, but “Barbershop 2” is a definite improvement on the core idea, and that’s all I was looking for.

My rating: B