FilmJerk Favorites

A group of unique directors and the essential works that you've got to see.

||| John Ford |||
John Ford

One of the art form's grand masters of all time, Ford is responsible for influencing the seminal directors of generation after generation. Strongly associated with the impressive body of work created over a lifetime with collaborator John Wayne, it is nearly impossible to choose just threeÖ but here it goes.

This powerful winner of the Best Picture Academy Award is set in Wales at the turn of the 19th century, and tells the story of a family of miners, whose lives are filled with danger and repression. The film is beautifully crafted, lovingly depicting the gut wrenching sacrifices and light-hearted moments that are elemental to family life, making this film a true representation of the craft that is unmistakably John Ford.

This film is told in flashback as James Stewart, after a long absence, returns home for the funeral of a friend who saved his life from a sadistic outlaw. This classic covers every essential element required to qualify as a western epic from unlikely friends to the girl who comes between them, to the enemy they both despise, but handle with extremely different approaches, to Fords signature cast of supporting characters, all combine to make this a staple for every fan of this uniquely American genre.

This romantic comedy seen through the eyes of John Ford has John Wayne ( an American-raised boxer) go to Ireland to the village of his birth, fall for feisty Maureen O'Hara, and fight with town ruffian Victor McLaglen in one of the all time classic screen brawls. This is an exceptionally fine romantic movie that with Fordís capable bravado manages to be a film that any manís man can openly enjoy.

Recommended by CarrieSpecht

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Dinotasia

By EdwardHavens

November 5th, 2012

Dinosaurs have fascinated mankind for millennia. We as a people have a seemingly voracious appetite for all things dinosaur, especially after John Ostromís works about the Deinonychus Antirrhopus became public in the mid-1960s. And before we take another journey back to "Jurassic Park" next year, we have the animated anthology movie "Dinotasia" to keep us engaged.

Dinotasia

Directed by long-time Werner Herzog collaborator Erik Nelson and Disney character designer David Krentz, "Dinotasia" may have a kind of quaint, lo-fi feel to some. The CG animated feature, which bounces around through various segments of dino history, plays like a series of cut-scenes from a 1997 PlayStation game, and Herzog's brief narrations give the movie a certain gravitas it would have not had with any other speaker. But there in lies the filmís major problems. Its graphics, both the look of the dinosaurs and how they are inserted in to real backgrounds, are far too distracting, and the promise of Herzog narration is hardly met. Throughout the vignettes, Herzog has but one or two lines to set up each segment and one additional line late in one part, which for this writer is hardly "narration" in its traditional movie-related sense. Malcolm McDowell narrates "A Clockwork Orange." Jean Shepard narrates "A Christmas Story." Edward Norton narrates "Fight Club." Werner Herzog's discombobulated voice, popping in every ten minutes or so to say something sardonic and laconic until the next time he is needed, is hardly narration.

Yet "Dinotasia" does have a certain charm. Borrowing liberally from the Disney classic from which is moderately borrows its name, the film is what the cineastes call pure cinema. Here is the timeframe, here are the dinosaurs of the era, and this is what we think happened. The dramatic mood music sets up the terror and horror of what life may have been like for the animals of the Mesozoic, as various beasts fight and maim each other and prove that barbarous callousness and bloodthirsty ruthlessness is not a recent or human trait.

For someone who worked so closely with Herzog on a number of his recent successful entries in the documentary field, it seems co-director Nelson didnít understand what made his bossís movies like "Grizzly Man," "Encounters at the End of the World" or "Cave of Forgotten Dreams" such rapturous endeavors. It was not just the images alone that helped these movies find an audience, nor was it Herzog's indelible voice or the words he spoke. It was the mood he set and the anticipation of what he would explore. Dinosaurs are infinitely more astonishing and enthralling than grizzly bears, old caves or the Antarctic, yet the CG animation makes one sit and wonder why these dinosaurs canít at least equal graphics created by computers which havenít been state-of-the-art since the middle of the first Clinton administration.

Presented in association with the Discovery Channel, "Dinotasia" may have worked better as occasional filler between episodes of "Man vs. Wild" and "Planet Earth" rather than a feature film. One can admire Nelson and Krentz for going for the fences, but this time out theyíre taking the bench after striking out.

My rating: C