FilmJerk Favorites

A group of unique directors and the essential works that you've got to see.

||| Francis Ford Coppola |||
Francis Ford Coppola

Coppola is an amazing talent whose inspiration and influence spans many generations. Virtually the link between the studio system of yesteryear and the independent minded filmmaker of the modern age, Coppola became the first major film director to emerge from a university degree program in filmmaking, thus legitimizing a now common route for many future filmmakers.

This Academy Award winner continues to enjoy an enormous critical and popular success due in large part to Coppola’s ability to break down an epic saga of crime and the struggle for power into the basic story of a father and his sons, punctuating the prevalent theme throughout Coppola’s oeuvre: the importance of family in today’s world. His personal portrait mixed tender moments with harsh brutality and redefined the genre of gangster films.

This intense, yet unassuming thriller has an impact that touches the viewer on a personal level and raises the question of privacy and security in a world of technology – thirty years ago! Coppola’s then virtually unknown cast is a roster of inevitable superstars, including Gene Hackman, Harrison Ford, and Robert Duvall. This Academy Award nominee for Best Picture, Best Original Screenplay, and Best Sound lost out to Coppola’s other great effort of the year, The Godfather: Part II.

Coppola's masterful Vietnam War-updating of Joseph Conrad's "Heart of Darkness" was the first major motion picture about the infamous “conflict”. This colossal epic was shot on location in the Philippines over the course of more than a year and contains some of the most extraordinary combat footage ever filmed. Unforgettable battle sequences and sterling performances from every cast member (including Marlon Brando, Robert Duvall, Dennis Hopper, Laurence Fishburne, Harrison Ford, Scott Glenn, and Martin Sheen) mark this Academy Award-winning drama as a must-see for any true film fanatic.

Recommended by CarrieSpecht



By EdwardHavens

November 5th, 2012

Dinosaurs have fascinated mankind for millennia. We as a people have a seemingly voracious appetite for all things dinosaur, especially after John Ostrom’s works about the Deinonychus Antirrhopus became public in the mid-1960s. And before we take another journey back to "Jurassic Park" next year, we have the animated anthology movie "Dinotasia" to keep us engaged.


Directed by long-time Werner Herzog collaborator Erik Nelson and Disney character designer David Krentz, "Dinotasia" may have a kind of quaint, lo-fi feel to some. The CG animated feature, which bounces around through various segments of dino history, plays like a series of cut-scenes from a 1997 PlayStation game, and Herzog's brief narrations give the movie a certain gravitas it would have not had with any other speaker. But there in lies the film’s major problems. Its graphics, both the look of the dinosaurs and how they are inserted in to real backgrounds, are far too distracting, and the promise of Herzog narration is hardly met. Throughout the vignettes, Herzog has but one or two lines to set up each segment and one additional line late in one part, which for this writer is hardly "narration" in its traditional movie-related sense. Malcolm McDowell narrates "A Clockwork Orange." Jean Shepard narrates "A Christmas Story." Edward Norton narrates "Fight Club." Werner Herzog's discombobulated voice, popping in every ten minutes or so to say something sardonic and laconic until the next time he is needed, is hardly narration.

Yet "Dinotasia" does have a certain charm. Borrowing liberally from the Disney classic from which is moderately borrows its name, the film is what the cineastes call pure cinema. Here is the timeframe, here are the dinosaurs of the era, and this is what we think happened. The dramatic mood music sets up the terror and horror of what life may have been like for the animals of the Mesozoic, as various beasts fight and maim each other and prove that barbarous callousness and bloodthirsty ruthlessness is not a recent or human trait.

For someone who worked so closely with Herzog on a number of his recent successful entries in the documentary field, it seems co-director Nelson didn’t understand what made his boss’s movies like "Grizzly Man," "Encounters at the End of the World" or "Cave of Forgotten Dreams" such rapturous endeavors. It was not just the images alone that helped these movies find an audience, nor was it Herzog's indelible voice or the words he spoke. It was the mood he set and the anticipation of what he would explore. Dinosaurs are infinitely more astonishing and enthralling than grizzly bears, old caves or the Antarctic, yet the CG animation makes one sit and wonder why these dinosaurs can’t at least equal graphics created by computers which haven’t been state-of-the-art since the middle of the first Clinton administration.

Presented in association with the Discovery Channel, "Dinotasia" may have worked better as occasional filler between episodes of "Man vs. Wild" and "Planet Earth" rather than a feature film. One can admire Nelson and Krentz for going for the fences, but this time out they’re taking the bench after striking out.

My rating: C