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A group of unique directors and the essential works that you've got to see.

||| Sergio Leone |||
Sergio Leone

Leoneís career is remarkable in its unrelenting attention to both American culture and the American genre film, exploring the mythic America he created with each successive film examining the established characters in greater depth.

Only his second feature (a remake of Kurosawaís Yojimbo), Leone's landmark "spaghetti western" caused a revolution and features Clint Eastwood in his breakthrough role as "The Man With No Name". This classic brutal drama of feuding families wasnít the first spaghetti Western, but it was far and away the most successful up to that time.

Plot is of minimal interest, but character is everything to Leone, who places immense meaning in the slightest flick of an eyelid, extensively using the extreme close-up on the eyes to reveal any feeling, as demonstrated by Clint, who squints his way through this slam-bang sequel to A Fistful of Dollars as a wandering gunslinger that must combine forces with his nemesis to track down a wanted killer.

The final chapter in the groundbreaking trilogy follows Eastwood, Lee Van Cleef, and Eli Wallach as they form an uneasy alliance to find a stash of hidden gold. Leone focuses on his central theme as they find themselves facing greed, treachery, and murder, showing that the desire for wealth and power turns men into ruthless creatures who violate land and family and believe that a manís death is less important than how he faces it.

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Dinotasia

By EdwardHavens

November 5th, 2012

Dinosaurs have fascinated mankind for millennia. We as a people have a seemingly voracious appetite for all things dinosaur, especially after John Ostromís works about the Deinonychus Antirrhopus became public in the mid-1960s. And before we take another journey back to "Jurassic Park" next year, we have the animated anthology movie "Dinotasia" to keep us engaged.

Dinotasia

Directed by long-time Werner Herzog collaborator Erik Nelson and Disney character designer David Krentz, "Dinotasia" may have a kind of quaint, lo-fi feel to some. The CG animated feature, which bounces around through various segments of dino history, plays like a series of cut-scenes from a 1997 PlayStation game, and Herzog's brief narrations give the movie a certain gravitas it would have not had with any other speaker. But there in lies the filmís major problems. Its graphics, both the look of the dinosaurs and how they are inserted in to real backgrounds, are far too distracting, and the promise of Herzog narration is hardly met. Throughout the vignettes, Herzog has but one or two lines to set up each segment and one additional line late in one part, which for this writer is hardly "narration" in its traditional movie-related sense. Malcolm McDowell narrates "A Clockwork Orange." Jean Shepard narrates "A Christmas Story." Edward Norton narrates "Fight Club." Werner Herzog's discombobulated voice, popping in every ten minutes or so to say something sardonic and laconic until the next time he is needed, is hardly narration.

Yet "Dinotasia" does have a certain charm. Borrowing liberally from the Disney classic from which is moderately borrows its name, the film is what the cineastes call pure cinema. Here is the timeframe, here are the dinosaurs of the era, and this is what we think happened. The dramatic mood music sets up the terror and horror of what life may have been like for the animals of the Mesozoic, as various beasts fight and maim each other and prove that barbarous callousness and bloodthirsty ruthlessness is not a recent or human trait.

For someone who worked so closely with Herzog on a number of his recent successful entries in the documentary field, it seems co-director Nelson didnít understand what made his bossís movies like "Grizzly Man," "Encounters at the End of the World" or "Cave of Forgotten Dreams" such rapturous endeavors. It was not just the images alone that helped these movies find an audience, nor was it Herzog's indelible voice or the words he spoke. It was the mood he set and the anticipation of what he would explore. Dinosaurs are infinitely more astonishing and enthralling than grizzly bears, old caves or the Antarctic, yet the CG animation makes one sit and wonder why these dinosaurs canít at least equal graphics created by computers which havenít been state-of-the-art since the middle of the first Clinton administration.

Presented in association with the Discovery Channel, "Dinotasia" may have worked better as occasional filler between episodes of "Man vs. Wild" and "Planet Earth" rather than a feature film. One can admire Nelson and Krentz for going for the fences, but this time out theyíre taking the bench after striking out.

My rating: C