FilmJerk Favorites

A group of unique directors and the essential works that you've got to see.

||| Sergio Leone |||
Sergio Leone

Leone’s career is remarkable in its unrelenting attention to both American culture and the American genre film, exploring the mythic America he created with each successive film examining the established characters in greater depth.

Only his second feature (a remake of Kurosawa’s Yojimbo), Leone's landmark "spaghetti western" caused a revolution and features Clint Eastwood in his breakthrough role as "The Man With No Name". This classic brutal drama of feuding families wasn’t the first spaghetti Western, but it was far and away the most successful up to that time.

Plot is of minimal interest, but character is everything to Leone, who places immense meaning in the slightest flick of an eyelid, extensively using the extreme close-up on the eyes to reveal any feeling, as demonstrated by Clint, who squints his way through this slam-bang sequel to A Fistful of Dollars as a wandering gunslinger that must combine forces with his nemesis to track down a wanted killer.

The final chapter in the groundbreaking trilogy follows Eastwood, Lee Van Cleef, and Eli Wallach as they form an uneasy alliance to find a stash of hidden gold. Leone focuses on his central theme as they find themselves facing greed, treachery, and murder, showing that the desire for wealth and power turns men into ruthless creatures who violate land and family and believe that a man’s death is less important than how he faces it.

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Another Gay Sequel: Gays Gone Wild!

By BrianOrndorf

August 26th, 2008

Any film that opens with a comical beheading and electrocution deserves at least some praise, however faint it may be. A follow-up to the unleashed lunacy of 2006's "Another Gay Movie," "Another Gay Sequel: Gays Gone Wild" takes this improbable franchise even further into comedic dementia, eager to top the original picture in pure knockout vulgarity. I'd say it's a photo finish.

Another Gay Sequel: Gays Gone Wild!

Off to Ft. Lauderdale for a Spring Break blowout vacation, Andy (Jake Mosser), Nico (Jonah Blechman), Jarod (Jimmy Clabots), and Griff (Aaron Michael Davies) are at a loss for words when they arrive at their resort. Confronted with available men as far as the eye can see, the boys are tickled when the “Gays Gone Wild” contest commences, awarding points for sexual encounters and assorted mischief. Pushed into the madness of the week’s festivities, the men are forced to consider matters of the heart before indulging their carnal desires, leading to serious questions of self-acceptance in the middle of a sun-kissed orgy of sexual possibilities.

“Another Gay Movie” was a fearless production, allowing director Todd Stephens (“Edge of Seventeen”) to unleash his pent-up frustrations with Hollywood and gay cinema, crafting a farce that rarely paused for a breath and absolutely relished audience discomfort. It certainly was an experience to behold, even when the jokes were sprayed over the audience with firehose-like subtlety.

“Gays Gone Wild” inches further across the already entirely smudged line of taste. Confronted with new cast members (the transition is handled well via an opening dream sequence) and assuming new confidence after his original creation scored big with the intended demographic, Stephens heads right back to the deafening pitch of comedy that has come to define this newly-minted franchise. In short: “Gays Gone Wild” is a berserk, wince-inducing, carefree spit-take on the mating rituals of our heroes, who would like nothing more than to explore the boundaries of their appetites with the miraculously-muscled galaxy of partners surrounding them.

Opening with an eventful trip aboard the “TransAmerica” airlines, “Gays Gone Wild” takes off like a rocket through a twisted series of set pieces that concern pranks with lube, games of human shuffleboard, fountains of vomit, blue-balled mishaps, misplaced lust, and musical numbers serenading the joy of golden showers, and second one performed by animated pubic lice. Yes, Stephens is going for broke here, bejeweling the production further with cameos from Scott Thompson, Amanda Lepore, RuPaul, Lady Bunny, and a few porn stars, one of whom looks litigiously like Zac Efron (Brent Corrigan), here playing a bare-assed Merman.

Oh, and there’s a supporting role saved for Perez Hilton.

The Perez idea is indicative of Stephen’s inability to judge material for true comic potential. Sure, there’s some wit laid out with nods toward “Heathers,” “Showgirls,” “10,” “Dawn of the Dead,” and the Hawaiian “Brady Bunch” episode arc. However, Stephens also makes time to showcase Perez, piggybacking on his questionable pop culture visibility, only to find himself stuck with the noxious celebrity blogger’s atrocious acting skills and his gift to ruin any scene he pops into. Portraying a religious zealot (a personality alteration instigated during a rocky bathroom oral sex session with a priest – the film shows little shame), Perez is so awful he can’t even manage to convincingly play himself. I give the performance one MS Paint semen dribble trickling down from a slack-jawed celebrity mouth out of five.

“Gays Gone Wild” can dash from a nightmare to a hoot in a nanosecond, but extending this picture over 90 minutes was a cruel mistake on Stephens’s part. In shorter, controlled form, this smothering experience would be easily tolerable, or at least digestible. Instead, the sequel only clicks when it serves a basic function to provoke and comedically spasm, and any extended exposure to these elements is bound to irritate in a hurry. There’s a promise made at the conclusion of “Gays Gone Wild” to send the boys into space. Let’s hope Stephens can snatch a more judicious editor for the next round.

My rating: B-