Airing on the Spike television network since 2003, “MXC” has come to be something of a cult show for all ages over the last three years. It’s a wild, unpredictable comedy program, combining elements of sports and bodily damage to create one of basic cable’s more engaging shows, constantly alternating between cheers and guffaws every week, and never, ever disappointing.
The premise is simple: commentators Vic Romano and Kenny Blankenship oversee a Japanese game show that has contestants sprinting through a series of outlandish obstacle courses, each one more intricate and bizarre than the last. They fight for victory, but mostly they fall on their face, much to the delight of Romano and Blankenship.
As its more vocal opponents will remind you ad nauseam, “MXC” simply recycles footage from Takeshi Kitano’s wildly popular “Takeshi’s Castle” Japanese television game show that ran from 1986 to 1989. “MXC” cuts and pastes the footage from “Castle” to suit their own needs, inventing “teams” to compete (such as Dairy Workers Vs. Automobile Workers), shortening the games, and dubbing over the whole thing with their own roster of Groundlings-trained cast members in the style of Woody Allen’s “What’s Up, Tiger Lilyr”
“MXC” certainly doesn’t share the same sillyheart spirit as “Castle,” but it’s a fun sit due to the rapid-fire joke delivery mixing with the pure lunacy of the game show elements. With contests like “Log Drop” (unfortunate souls try to cross a series of rolling logs), “Boulder Dash” (suckers sprint uphill while styrofoam rocks are rolled down), and my personal favorite, “Sinkers and Floaters” (contestants race across a muddy lagoon covered with rocks; some are bolted to the floor, others are merely floating), laughs and the jaw-dropping horror over some of the more painful contestant eliminations are never in short supply.
“MXC” is goofy and perhaps disrespectful to the original creation; however, at the heart of it all is a tirelessly funny television show. The 13 episodes on display here show the birth of a wonderful program to come, and one that would go on for three more seasons (a fifth starts this month). I hope Magnolia Home Entertainment doesn’t stop exploring its DVD potential.
13 episodes of “MXC” are presented in their original full frame format.
The show is presented in a standard Dolby Digital 2.0 mix.
Included on three episodes are audio commentaries from the actors and producers that make up the “MXC” team. While informal, the tracks do reveal a bit of the working process that goes into each of these episodes; it isn’t just sitting in a recording booth and dubbing lines, that’s for sure. We also learn about the original 8-minute pitch reel made for “MXC” in 2001 for network shopping, the sexual proclivities of correspondent Guy LeDouche, and some tantalizing comments are dropped about the infamous “Almost Live” episode of “MXC” taped at Universal Orlando in 2004.
To appease the faithful, Magnolia has included a single episode of “Takeshi’s Castle” (#93). Offering the option of either English subtitles or some English narration to help explain what we’re seeing, “Castle” is 45 minutes of straight-up Japanese madness, akin to the spirit of “Hee Haw” and Benny Hill (but with more face plants). The original show isn’t nearly as fast paced or go-for-broke zany as “MXC,” but “Castle” puts the whole Takeshi world into proper context and is an absolute treat to see. For those that stand firm to the idea that “MXC” is a complete and utter bastardization of “Castle,” Magnolia has provided the proof.
On disc two is the Original Presentation reel for “MXC,” from November 2001. This 8-minute reel was used to sell the program to Spike, and features an extremely rough version of what we know as the show today.
Also on disc two is a short feature called “Kenny’s Blankenship’s Most Painful Eliminations of the Season.” Slapped together for this DVD, it provides an overview of the more bone-snapping falls of the season.
Always remember: “Don’t. Get. Eliminated!”Rating: A-