Wet Hot American Summer

That’s not to say that these last few months have been a total wash. “Memento” was finishing its run during the early days of the summer season. “Shrek” was amusing. “Legally Blonde” and “The Others” saved the big studios from total fucking embarassment and the indie scene has given us a plethora of solid entertainment with “Sexy Beast,” “With A Friend Like Harry,” “Made,” “Hedwig and the Angry Inch” and on and on. If it wasn’t for independent cinema I would have had to have cracked open a book or two to entertain myself. And I may have started reading that little golden book sitting on my coffee table this weekend except my second most anticipated movie of the summer finally opened on two, count ’em two, screens in Los Angeles. That’s right. It was time for “Wet Hot American Summer.”

You know how sometimes it seems that a certain movie was made specifically for your For instance, I have a bizarre obsession with the 1950’s and Reese Witherspoon so I was pretty certain that “Pleasantville” would enter my canon before I even entered the fucking theater. Well, “Wet Hot American Summer” seemed like another one of those movies for me. Thanks to a pair non-attentive parents and a stolen VCR I must have watched “Meatballs” around three dozen times in my formative years. Bill Murray was a surrogate uncle for me, Rudy and Spaz my big brothers. I enjoyed the movie tremendously when I was a child and I like it now, but I’m woman enough to realize that it’s pretty stupid. Once I got to high school, every waking hour not spent playing Mortal Kombat II was used exclusively to view and review episode upon episode of MTV’s sketch comedy show “The State”. When I heard that David Wain and Michael Showalter of aforementioned TV show had just made a parody of the whole “Meatballs” genre starring several State alumns and two of my all-time favorite comedy actors, Janeane Garofalo and David Hyde Pierce, well, I had to run out and find a homeless no one cared about to fuck to death.

After all of this rabid anticipation, I was finally able to see the film unfurl at the AMC Santa Monica 7 this afternoon and I have to say…it made me feel old.

The movie starts out pretty well. It seems like a smarter, up-to-date version of Meatballs. It’s the last day of summer camp and everybody–campers, counselors, associate professors living next door to the camp–just wants to score before the fall begins. But when Janeane Garofalo’s Beth goes into town to research books on astrophysics (don’t ask), WHAS reveals itself to be a full on throw-every-piece-of-shit-you-can-find-to-the-wall-and-see-what-sticks madcap affair akin to Airplane! There are at least five climaxes, each one lifted from and poking fun at another film from the summer camp-genre and such giggle inducing lines like “Fuck my cock.” But many of the gags overstay their welcome, others are just too weird to be funny and I quickly realized that what I was watching was a bunch of leftover State sketches. And then I also quickly realized that a type of humor I found endlessly hilarious back in high-school had passed me by and became merely chuckle-inducing. Fuck. There is nothing worse than being in your mid-20’s and feeling like the world has passed you by.

Not to say that I wouldn’t recommend the movie. I would. I would even say to see it in the theater so you can get that whole communal laughter thing going. There are moments in it that made me laugh just as hard as some of the shit in “American Pie 2.” I would also say you should see WHAS for Marguerite Moreau who is so incredibly hot I nearly forgot about that homeless guy I left bleeding from the ass in a deserted alley the week before. The lovely Marguerite also has the unenviable job of playing the straight man through most of the picture and she pulls it off admirably. Janeane and Niles are funny as are my boyz from The State Ken (I wanna dip my balls in it) Marino, Michael Ian Black (which I changed from Schwarz because I’m ashamed of being Jewish) and Joe Lo Truglio (who never had any cool catch phrases on the show, but that’s okay because he Joe Lo Fucking Truglio!). Molly Shannon is annoying, but what did you expect from someone who came over from a shitty sketch comedy show. A true revelation, though, is Chris Meloni who must of us know from “Oz” and “Law & Order: Special Victims Unit”. I had no idea this guy could be so funny. When he starts humping a refrigerator I not only laughed, but started being pissed off at Hollywood for not using this guy enough. I look forward to seeing his next comedic role. I also look forward to the next un-official “The State” movie from these guys because “Wet Hot American Summer” does have several things going for it…I just hope the next one has several more.

Rating: B
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