Sissi (Franka Potente) was developed well until a rather unusual situation regarding her “pleasuring” a patient at the mental ward made me somewhat noxious. This situation was even more revolting after certain facts became apparent later in the film. After that point she seemed to be a rather weak figure that I quickly lost interest in. She is continually drawn to Bodo (Benno Furmann) after he saves her life, even though he is abusive towards her after their initial encounter.
The initial lifesaving measure made by Bodo was rather coincidental. He is running from store employees who are giving chasing him, and suddenly he decides to hide under a truck in the middle of the road.This just happens to be the truck that Sissi was hit by and was underneath, why on earth would someone hide under a vehicle in the middle of the roadr Hiding under a potential moving vehicle is hardly a good idea. Even if he had noticed that it wasn’t going to be moving, why go under a vehicle that everyone is staring at if you are trying to elude your chasers.
“The Princess and the Warrior” reeked of coincidences, which were used over and over to tie up nearly every loose end. When used properly an occasional coincidence can add a great deal of intrigue and interest to the story, but when overused like they were in this movie it gets very old.
Perhaps if this movie had been directed by a slimy fuck like Rob Cohen, it could be seen as an accomplishment for the filmmaker. But Cohen didn’t direct it. Tom Tykwer did, and after his work in “Run Lola Run,” this is a disappointment. It was unable to hold my interest, and I found myself wishing for it to end sooner than later.Rating: D