“Hey, Havens, why are you throwing out a clip for the new film from the director of Guardians of the Galaxy, yo?” It’s a fair question to ask. “You said you’re going to start promoting independent and foreign films!” Yep, you got that right! I am promoting an independent film here, from a long-time denizen of that wonderful circle of Dante’s Hell known as Troma Films. And you know I’m going to get up in your face when it comes to anything about Troma Films!
One of the nicer aspects of the explosion of “alternative programming” at movie theatres the last few years is the annual showing of the short subjects in movie theatres. This first of three articles looks at the beloved animated short films.
One of the things we’ll be regularly doing at FilmJerk is highlighting independent and foreign films we think you should be aware of that are coming out in the near future. Our first highlighted film is “In Search of Fellini.”
In ten short years, Mike Judge’s once savage film has gone from being satire to a too-accurate reflection of modern society. How did it happen? Why did it happen?
It’s your fault.
Extraordinary entertainer Gene Kelly was an actor, dancer, director and choreographer, who single handedly did more than any other contemporary to influence the evolution of the American screen musical. The American Cinematheque is honoring Kelly’s work with a four-night retrospective of eight of his films, from the MGM era to his glorious appearance in Jacques Demy’s “The Young Girls Of Rochefort.”
Gene Kelly hit 1940’s Hollywood following a wildly successful career on Broadway in the 1930s. He quickly became a recognized force on the screen, and as Kelly’s career progressed into the 1950s he began to exert more control off screen as well. Whether directing himself (with co-director Stanley Donen) in one of my favorites, “Singin’ In The Rain” or working with the likes of the legendary Vincente Minnelli on “An American In Paris” and “Brigadoon”, Kelly demanded the most of himself and his collaborators (Debbie Reynolds has got some great stories!). The result of Kelly’s strict regimen was a career filled with classic song-and-dance numbers and memorable performances. All presented by a man who worked so hard and yet appeared to be so effortless and natural style. This truly will be a wonderful opportunity to see the work of a legend the way his work aught to be seen.
The New Beverly presents two overlooked and oft forgotten noirs from silver screen hunk John Payne’s repertoire.
Mentioning John Payne and Film Noir in the same sentence is virtually an oxymoron considering his main claim to fame is as the leading man to Alice Faye and Betty Grable in 1930s musicals, and playing opposite Maureen O’Hara in one of the most beloved Christmas films of all time, “Miracle on 34th Street”. And even though he was one of the most handsome men ever to grace the silver screen, Tyron Power and Robert Taylor often overshadowed Payne, leaving him less remembered than he deserves. Nevertheless, Payne’s films are always a pleasure to see, and here’s a chance to see two films unavailable on DVD projected on the big screen. You know, like they use to do in the old days.