FilmJerk Favorites

A group of unique directors and the essential works that you've got to see.

||| Stanley Kubrick |||
Stanley Kubrick

A filmmaker of international importance, Kubrick was one of the only directors to work within the Studio System and still have full artistic control over his films from scripting through post-production, prompting Time Magazine to compare Kubrick’s early independence with the magnitude of Orson Welles.

An uncompromising antiwar film, this gut-wrenching drama depicts a World War I officer as he labors with an ultimately futile defense for three painfully sympathetic men tried for cowardice. Kubrick artistically utilizes a beautifully washed-out black and white photography to represent the muddied boundaries of right and wrong, and the many gray areas that lay between.

A fabulous and inspiring adventure, this visually stunning epic stars Kirk Douglas as the heroic slave who fights to lead his people to freedom from Roman rule. Although a clear departure from Kubrick’s oeuvre, “Spartacus” is an all time classic helmed by a man with a precise vision who is equally capable of crafting colossal spectacle, tense tête-à-têtes, and a tender moment between lovers.

This film is so stylish it’s easy to forget it’s a horror film at heart. Considered to be the thinking man’s thriller, Kubrick molds this very particularly “Stephan King” material into the portfolio of his films about human failure, as the hero’s desperate desire to become somebody ends in frustration and tragedy.

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Notes from the 2008 American Film Market

By EdwardHavens

November 6th, 2008

This year's American Film Market, where thousands of film buyers and sellers come together at Santa Monica's Loews Beach Hotel for a week of deal-making, networking and schmoozing, started yesterday, amongst worries the global economic crisis could make for less than desirable results.

Notes from the 2008 American Film Market

The veteran of numerous AFMs myself, I had never seen such a blasé opening frame as I witnessed yesterday. Usually, opening day at the Market is filled with heavy traffic in the halls and suites, buyers optimistic there will be a cache of new films that they can bring home to their entertainment-starved masses, sellers hoping this year will be better than the previous. On Wednesday, the mood was cautiously positive, with expectations riding on a major uptick in deals for the weekend, but it was still shocking to see the usually jam-packed Weinstein Company suite so threadbare, but it was like that in every suite.

Speaking of the Weinsteins, amongst the new product they were hawking was “Nine,” Rob Marshall’s cinematic adaptation of the Broadway musical which itself was an adaptation of Federico Fellini’s “8 1/2." Daniel Day-Lewis plays filmmaker Guido Contini, who finds himself entangled in a mid-life crisis as he approaches his fortieth birthday, despite celebrating his most recent and greatest success. You couldn’t ask for a better supporting cast, which includes Oscar-winners Marion Cotillard, Judi Dench, Nicole Kidman and Sophia Loren, as well as Penelope Cruz, Stacy Ferguson and Kate Hudson. The Weinsteins released this photo of the production, which only began three weeks ago. “Nine” is scheduled to open in theatres December 11, 2009.


”Nine” image courtesy The Weinstein Company

At AFM, The Weinstein Company also introduced new pictures for “Crossing Over,” Extreme Movie” and “Youth in Revolt.”



”Crossing Over” images courtesy The Weinstein Company




”Extreme Movie” images courtesy The Weinstein Company




”Youth in Revolt” images courtesy The Weinstein Company

”Extreme Movie” is scheduled to arrive in theatres on December 5, “Youth in Revolt” on February 20 and “Crossing Over” later in 2009.