FilmJerk Favorites

A group of unique directors and the essential works that you've got to see.

||| David Lean |||
David Lean

Honored with the American Film Institute Life Achievement Award in 1990, Leanís body of work (ranging from the intimate film to the grandiose epic) demonstrates an obsessive cultivation of craft and a fastidious concern with detail that has become the very definition of quality British cinema.

Adapted from Noel Cowardís one-act play, Lean takes a potentially boring story of middle-age flirtation and tenderly creates one of the most enduring and poignant romance films ever made. Brilliantly underplayed, two happily married strangers meet by chance in a railway station and fall desperately in love, but never physically express the undercurrent of passion that exists between them, even during their final gut wrenching separation Ė if your heart doesnít ache, youíre just not human!

Demonstrating moments of intimacy through gigantic display, Lean sets up the greatness of Pipís expectations with the magnitude of his frightful encounters; one with an escaped convict, whose emerge into the frame reminds us what itís like to be a child in a world of oversized, menacing adults, and another with the meeting of mad Miss Havisham, in all her gothic splendor.

Peter O'Toole made an enigmatic and lasting impression in his debut role as British officer T.E. Lawrence, who helped Arab rebels fight the Turks in WWI, and Omar Sharif has perhaps the greatest cinematic intro of all time as he magically appears through the ghostly waves of the desert heat, achieving Leanís compulsive drive to create the perfectly composed shot. Alec Guinness, Anthony Quinn, Jose Ferrer, and Claude Rains round out this incredibly talented and magnetically charged cast.

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Eastwood's "Torino" might be dirty, but it ain't Harry

By EdwardHavens

March 20th, 2008

It's almost like a webisode of the new E! series "Pop Fiction." Give out just a tantalizing bit of information and just see where everyone takes it. A Dirty Harry movie? A western? Nothing's come close yet, according to our source.

Eastwood's

Let's start logically, and not just because what little information we've been able to dig up would barely fill up a thimble...

1) A new Dirty Harry movie? Not likely. The hot rumor is that a killer is riding around in a Gran Torino, and the now-retired Harry Callahan is on a mission to track down the culprit, as one of the victims was Callahan's cop grandson. What do we know about Dirty Harry Callahan? We know that Harry was once married, but she was killed by a drunk driver, and never once in the five films in the series was there ever a mention of a child. So, all of a sudden, Harry not only has a child he's never once mentioned before, but this child is old enough to a child of their own, who is himself old enough to have become a police officer? Sorry, don't buy it. Plus, if this was a Dirty Harry movie, you don't release it in December anymore. You hold it until the summer months, when action films have a better play-off. December is now reserved for more family-friendly fare, straight dramas or awards bait films. More on that in a minute.

2) What is a Gran Torino? In Italian, "Gran Torino" means "The Grand Turin," the city in Northern Italy which is considered the Detroit of Italy. Turin is also the home of the Mole Antonelliana, which now houses the Italian National Museum of Film and was greatly featured in Davide Ferrario's beautiful 2004 homage to cinema, After Midnight. But in car culture, the Gran Torino is the muscle car built by Ford Motor between 1972 and 1976, best known as the car by officer David Starsky in the 1970s ABC series "Starsky and Hutch" as well as its 2004 movie adaptation. Hell, I can't think of any way to spin this into it being a Western.

So if it's not a Dirty Harry movie, and it's not a western, just what the heck is "Gran Torino" anyway?

Our source tells us this will be a simple, quiet and compelling drama about Walt (Eastwood), a rural bigot who finds his outlook on life changed after a family of Hmong immigrants move in to the home next to his own, striking up a friendship with the family's teenaged son Tao over the older man's now-classic car.

Now, doesn't that sound more like something a studio would hinge its awards hopes on?

I could continue to prattle on about this and that, but that's really all we've been able to get right now. If there is any good to come out of the wild speculation about this being the next Dirty Harry movie, it shows there is still a major interest in any new Eastwood film. And seriously, if the studio and production companies are going to be so damn careful to try and keep the project as close to the vest as possible, is someone who is at best a property manager really going to blab major plot points to someone selling a car that isn't even the car they're looking for? No. I've worked in production, and if the production is specifically looking for a 1972 Gran Torino, they're not going to waste their time looking at cars that aren't a 1972 Gran Torino. The 72's had a more rounded body, compared to the straighter lines on the 74's. Car enthusiasts are going to know the difference, and if the script is specific about the year of the car, it probably has some significance to the storyline.

How the release of "Gran Torino" will affect the currently-set November release of Eastwood's courthouse drama "Changeling" for Universal (one of their expected high rollers for 2008 awards glory) is uncertain. All that can be certain for now is the race for 2008's Best Picture just got itself a new 800 pound gorilla.