FilmJerk Favorites

A group of unique directors and the essential works that you've got to see.

||| Stanley Kubrick |||
Stanley Kubrick

A filmmaker of international importance, Kubrick was one of the only directors to work within the Studio System and still have full artistic control over his films from scripting through post-production, prompting Time Magazine to compare Kubrick’s early independence with the magnitude of Orson Welles.

An uncompromising antiwar film, this gut-wrenching drama depicts a World War I officer as he labors with an ultimately futile defense for three painfully sympathetic men tried for cowardice. Kubrick artistically utilizes a beautifully washed-out black and white photography to represent the muddied boundaries of right and wrong, and the many gray areas that lay between.

A fabulous and inspiring adventure, this visually stunning epic stars Kirk Douglas as the heroic slave who fights to lead his people to freedom from Roman rule. Although a clear departure from Kubrick’s oeuvre, “Spartacus” is an all time classic helmed by a man with a precise vision who is equally capable of crafting colossal spectacle, tense tête-à-têtes, and a tender moment between lovers.

This film is so stylish it’s easy to forget it’s a horror film at heart. Considered to be the thinking man’s thriller, Kubrick molds this very particularly “Stephan King” material into the portfolio of his films about human failure, as the hero’s desperate desire to become somebody ends in frustration and tragedy.

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Eastwood's "Torino" might be dirty, but it ain't Harry

By EdwardHavens

March 20th, 2008

It's almost like a webisode of the new E! series "Pop Fiction." Give out just a tantalizing bit of information and just see where everyone takes it. A Dirty Harry movie? A western? Nothing's come close yet, according to our source.

Eastwood's

Let's start logically, and not just because what little information we've been able to dig up would barely fill up a thimble...

1) A new Dirty Harry movie? Not likely. The hot rumor is that a killer is riding around in a Gran Torino, and the now-retired Harry Callahan is on a mission to track down the culprit, as one of the victims was Callahan's cop grandson. What do we know about Dirty Harry Callahan? We know that Harry was once married, but she was killed by a drunk driver, and never once in the five films in the series was there ever a mention of a child. So, all of a sudden, Harry not only has a child he's never once mentioned before, but this child is old enough to a child of their own, who is himself old enough to have become a police officer? Sorry, don't buy it. Plus, if this was a Dirty Harry movie, you don't release it in December anymore. You hold it until the summer months, when action films have a better play-off. December is now reserved for more family-friendly fare, straight dramas or awards bait films. More on that in a minute.

2) What is a Gran Torino? In Italian, "Gran Torino" means "The Grand Turin," the city in Northern Italy which is considered the Detroit of Italy. Turin is also the home of the Mole Antonelliana, which now houses the Italian National Museum of Film and was greatly featured in Davide Ferrario's beautiful 2004 homage to cinema, After Midnight. But in car culture, the Gran Torino is the muscle car built by Ford Motor between 1972 and 1976, best known as the car by officer David Starsky in the 1970s ABC series "Starsky and Hutch" as well as its 2004 movie adaptation. Hell, I can't think of any way to spin this into it being a Western.

So if it's not a Dirty Harry movie, and it's not a western, just what the heck is "Gran Torino" anyway?

Our source tells us this will be a simple, quiet and compelling drama about Walt (Eastwood), a rural bigot who finds his outlook on life changed after a family of Hmong immigrants move in to the home next to his own, striking up a friendship with the family's teenaged son Tao over the older man's now-classic car.

Now, doesn't that sound more like something a studio would hinge its awards hopes on?

I could continue to prattle on about this and that, but that's really all we've been able to get right now. If there is any good to come out of the wild speculation about this being the next Dirty Harry movie, it shows there is still a major interest in any new Eastwood film. And seriously, if the studio and production companies are going to be so damn careful to try and keep the project as close to the vest as possible, is someone who is at best a property manager really going to blab major plot points to someone selling a car that isn't even the car they're looking for? No. I've worked in production, and if the production is specifically looking for a 1972 Gran Torino, they're not going to waste their time looking at cars that aren't a 1972 Gran Torino. The 72's had a more rounded body, compared to the straighter lines on the 74's. Car enthusiasts are going to know the difference, and if the script is specific about the year of the car, it probably has some significance to the storyline.

How the release of "Gran Torino" will affect the currently-set November release of Eastwood's courthouse drama "Changeling" for Universal (one of their expected high rollers for 2008 awards glory) is uncertain. All that can be certain for now is the race for 2008's Best Picture just got itself a new 800 pound gorilla.