FilmJerk Favorites

A group of unique directors and the essential works that you've got to see.

||| Stanley Kubrick |||
Stanley Kubrick

A filmmaker of international importance, Kubrick was one of the only directors to work within the Studio System and still have full artistic control over his films from scripting through post-production, prompting Time Magazine to compare Kubrick’s early independence with the magnitude of Orson Welles.

An uncompromising antiwar film, this gut-wrenching drama depicts a World War I officer as he labors with an ultimately futile defense for three painfully sympathetic men tried for cowardice. Kubrick artistically utilizes a beautifully washed-out black and white photography to represent the muddied boundaries of right and wrong, and the many gray areas that lay between.

A fabulous and inspiring adventure, this visually stunning epic stars Kirk Douglas as the heroic slave who fights to lead his people to freedom from Roman rule. Although a clear departure from Kubrick’s oeuvre, “Spartacus” is an all time classic helmed by a man with a precise vision who is equally capable of crafting colossal spectacle, tense tête-à-têtes, and a tender moment between lovers.

This film is so stylish it’s easy to forget it’s a horror film at heart. Considered to be the thinking man’s thriller, Kubrick molds this very particularly “Stephan King” material into the portfolio of his films about human failure, as the hero’s desperate desire to become somebody ends in frustration and tragedy.

Recommended by CarrieSpecht

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FREE Classic Cinema at The Skirball!

By CarrieSpecht

December 11th, 2006

The Skirball Cultural Center Presents a free screening of the classic romantic comedy, “Pillow Talk” on Tuesday, December 12th at 1:30 p.m. This holiday season take some time out to enjoy a silly romantic comedy on the big screen. For Free!

FREE Classic Cinema at The Skirball!

If you’ve never seen a Rock Hudson/Doris Day film you’ve been denying yourself a gleeful pleasure, and if you have you won’t want to miss the opportunity of seeing it on a big screen. Pure sugar and silliness, “Pillow Talk” is the Rock Hudson/Doris Day bedroom farce that similar films of the era wish they could be, and others spoof (such as the 2003 Renee Zellweger and Ewan McGregor kitschy “Down with Love”).

Fifties sex icon Rock Hudson was at the height of his popularity when he first played opposite the ever-popular and professional virgin Doris Day. Here, Hudson plays Brad Allen, a nefarious playboy (a role he always played to over-the-top perfection) who is inadvertently forced to share a “party line” (a telephone convention of days gone by) with a straight-laced interior designer played to sweet perfection by Day. Although the two are stylish metropolitans of the late fifties, they couldn’t be more different and, of course, in the fantasy world of cinema, opposites always attract. Over the wire, the two start out fighting, but once Hudson gets an eyeful of his verbal sparing partner, he is instantly smitten and automatically on the prowl.

With Tony Randall playing Hudson’s best friend and Day’s enamored client, and Day clueless to Hudson’s pretense of being a socially inept nerd, complications naturally ensue. But with a well-crafted script (it did receive the Academy Award after all), the twists and turns are skillfully manipulated with an emphasis on clever humor and high comedy. “Pillow Talk” is more than a mindless sex comedy; it’s a whimsical ode to romance in the burgeoning age of feminism that will make you swoon and laugh at the same time. You’ll even have a little insight into the difficulties that a modern working gal (and I mean that in the nicest sense) has in coming to terms with her own sexuality in the days before the sexual revolution. In the role of the modern emancipated woman, Day is the perfect personification of one of the world’s most frustrating oxymorons: the girl next door who’s as sexy in her “niceness” as any prancing playboy bunny.

This premier example of the “bedroom comedy” received an Academy Award for Best Screenplay and was nominated for many other awards, including a Golden Globe nomination for the ever-entertaining Tony Randall, a Supporting Actress Academy Award nomination for the great veteran character actress, Thelma Ritter, and Doris Day herself was considered for Best Actress.

Plan ahead and make a day of it. You can have lunch at the center’s restaurant, Zeidler's, before the film, shop for holiday gifts at Audrey's Museum Store, and view the many exhibitions. No reservations are necessary. For details or schedule changes call (310) 440-4500. The Skirball Cultural Center is located at 2701 North Sepulveda Blvd., Los Angeles, CA 90049, and you can check out their website at www.skirball.org.