FilmJerk Favorites

A group of unique directors and the essential works that you've got to see.

||| Rob Reiner |||
Rob Reiner

Son of comic genius Carl Reiner, Rob Reiner has picked up the family torch and directed some of the most memorable, quotable, and endearing comedies of the last two decades, and he’s no schmuck when it comes to dramas either.

This is a hilarious spoof filled with biting satire about a filmmaker making a documentary (or “rockumentary” if you will) about a once famous raucous British heavy metal band on a disastrous U.S concert tour, featuring the magnificent talents of co-stars/co-scripters Christopher Guest, Michael McKean and Harry Shearer. This granddaddy of the mocumentary speaks to the hard rockin’, air guitar playing 14-year-old boy in us all.

In this low-key sleeper hit based on a Stephen King story four young boys in 1959 Oregon set out on a camping trip in order to see a dead body one of them accidentally found. This is a loving memoir to a simpler time with an exceptionally talented young cast tentatively taking the steps on a road that leads to maturity.

Reiner turns a wry, even caustic, eye on men and women in friendship and in love, and that gray area in between. This is an engaging and smartly performed comedy about a pair of longtime platonic friends who turn a feud into a lasting friendship, determined not to let sex mess up a great relationship, until love threatens to ruin everything.

Recommended by CarrieSpecht

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Romar Releasing Faces Minor Bumps Upon First Major Release

By EdwardHavens

January 6th, 2006

In theory, what Billy Zane and his partners are attempting with Romar Releasing should be embraced by the independent film community. Create an independent distribution company which allows filmmakers to get their movies into the exhibition market for a small fee and lets filmmakers keep the rights to their own films. Again, in theory, it's a great idea and one I would love to see succeed.


Note: This article has been rewritten since its initial publication, to reflect information obtained after publication.

FilmJerk.com has received word that a number of prints for Romar's initial release, Uwe Boll's "BloodRayne," have been misdelivered to theatres not booked with the film, if prints have even been delivered at all. One theatre employee says their print of "BloodRayne" was originally shown as being cancelled by the company handling print delivery for Romar, before being located in the delivery company's system. The theatre will now get their print of "BloodRayne" sometime Saturday morning, wiping out the all important opening day ticket and concession sales.

The problems, according to another source at a major exhibitor, may be that Romar, helping to keep their costs down, has only one person handling distribution. As a former employee of a independent distribution company and has friends who work distribution at major studios, I know firsthand you need more than a single individual working in distribution. There is a reason why every major company that handles wide theatrical releases has their own distribution division, filled with dozens of people who work specific zones all across the nation, making sure any problems are handled quickly and effeciently.

However, after speaking with James Schramm, the very affable CEO of Romar, he assures me that while there were some problems with print misdelivery (a few theatres that were once tentatively booked with the film received prints they should not have), those instances were quite minor and that the "BloodRayne" release has gone off incredibly well. Mr. Schramm told me by phone that Romar has almost two dozen people working distribution, and will be adding ten more by the end of 2006. He also states one of those new people will be a highly respected industry veteran with more than twenty years experience at a major studio, whose appointment will be announced in the coming weeks.

Schramm confirmed for me that Romar is quite stabile, and they already have fifteen films scheduled for wide release over the next three years, including Uwe Boll's next film, "Dungeon Siege," set for a December bow. "We're not going anywhere," Schramm said. This is good to hear, because what they are offering could lead to a re-emergence of truly independent cinema unseen since the last great independent distribution age of the 1980s.