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A group of unique directors and the essential works that you've got to see.

||| Andrei Tarkovsky |||
Andrei Tarkovsky

Tarkovsky's contemplative, metaphysical films, more experienced than watched, are perhaps best described in the director's own words: sculptures in time.

In the post-apocalypse, a writer and scientist hire a "stalker" to guide them into The Zone, a mysterious and restricted wasteland with fabled, alien properties. Their journey, captured by Tarkovsky as a succession of incredible images, has, since, been read as political commentary, religious allegory, and Chernobyl prophesized.

Tarkovsky's visionary biography of the 15th-century icon painter is one of cinema's most majestic and solemn experiences. In some way, it will change you.

An adaptation of Stanis?aw Lem's novel of the same name, Tarkovsky's genre-less sci-fi film, which is set mostly aboard a space station hovering off a strange planet, tangles with issues of identity, death and reality in a way that will leave you agape, in the full meaning.

Recommended by PaczeMoj


Clea Duvall and Kadee Strickland Join “Grudge”; More Plot Details Uncovered

By ChrisFaile

January 15th, 2004

Clea Duvall ("Carnivàle," "Identity") and Kadee Strickland (a supporting player in "Something's Gotta Give" and "Anything Else") are the latest two actors to join the remake of Takashi Shimizu's Japanese-language horror film “The Grudge,” has learned. They will play the sisters Jennifer and Susan Williams, respectively; in addition, casting notices have since gone out for the role of their mother, as well as for three supporting roles. The production, which already has cast a pair of WB series veterans in Sarah Michelle Gellar and Jason Behr, is set to begin January 26 in Tokyo, Japan.

Basing itself on plot elements from the films “Ju-on," “Ju-on: The Grudge” and "Ju-on: The Grudge 2," the film has been described as being about “a murderous supernatural curse, born from a grudge that is held by someone who dies angry. The curse passes like a virus to its victims.” Prior to this point, little else was known was about the plot, but casting documents, which we have obtained from sources, give further depth.

The role of Claire Williams, yet to be cast, is described as a Caucasian woman in her 60s and the mother of Matthew (also to be cast), Susan and Jennifer Williams. In the film, Claire comes with her son and daughter-in-law Jennifer to live in Tokyo. An old woman who never speaks, Claire feels overwhelming dread the moment she sets foot in their new house. After moving in, her health deteriorates, and she requires regular care. A mute witness to the deaths of Matthew, Jennifer, and her regular nurse Rika, Claire tries vainly to warn Karen (played by Gellar) when she shows up to take over Rika's job -- but she's too dazed and disoriented to communicate.

Also being cast are the crucial supporting roles of Maria, a breathtakingly beautiful and sensual Latin woman in her 30s, and Peter, an English teacher. At the start of the film, Maria is happily married to Peter, but – out of nowhere – Peter casually commits suicide, hurling himself out of a window to his death.

Three years later, Maria is working as a Japanese "hostess," and she has lost the purity viewers once saw in her at the beginning of the movie; she is obviously lost without Peter. She has succumbed to the hard life, with teased-up hair, heavy makeup, and short, tight, revealing clothes. Still embittered over the death of her husband and her descent into the world of sex workers, Maria is gruffly uncommunicative when Karen shows up to investigate Peter's death as part of “The Grudge” but she yields to nostalgia and looks through her old photos from the happy days of her courtship and marriage. Can she give Karen enough clues to the stop the supernatural curse?

Director Shimizu wrote and directed the original film and producers for the remake include “Spider-Man” director Sam Raimi. The screenplay for the new film is credited to Stephen Susco.

The Scorecard
Producers: Nathan Kahane, Rob Tapert, Sam Raimi, Taka Ichise, Doug Davison and Roy Lee
Director: Takashi Shimizu
Writer: Stephen Susco
Casting Directors: Nancy Nayor and Kelly Wagner
Start Date: January 26, 2004
Location: Tokyo, Japan
Production Company: Senator International, Ghost House Pictures and Vertigo Entertainment