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Steven Soderbergh

For effortlessly being able to work at the top of the Hollywood A-list and go off on his own to make strange, experimental independent works

A twisted Python-esque take on Scientology, mental health and marriage, and Soderbergh's first true work of pure genius.

The best screen adaptation of an Elmore Leonard novel, and the film that started the most fruitful pairing in modern cinema.

The film that shows how vibrant a Hollywood film can be with a little independent spirit.

Recommended by EdwardHavens

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"Star Trek: Enterprise" Travels Back in Time

By ChrisFaile

October 5th, 2003

Earlier this week, MediaWeek’s Mark Berman joked that it’s “too bad Scott Bakula can't leap back into an older - and better - edition of “Star Trek.”” Well, at least producers are trying in part to acquiese the trade writer. In the eleventh episode of the new season, “Star Trek: Enterprise” is boldly going…back in time. Detroit, circa 2004, to be exact.

According to official casting documents obtained by FilmJerk.com, producers for the UPN series are looking to cast a villain for an episode entitled “Carpenter Street,” which will film between October 10 through 20.


According to these documents, which are used by actor’s agents to match up their clientele with roles currently up for audition, the series is seeking a star name for “a villain,” a role described as being between the wide-set ages of 25 and 40. This as-yet-unnamed guest star serves as the impetus for bringing the fleet’s lead characters back to the Motor City. He is described as “slimy, contemporary, and urban petty criminal.”

According to TrekWeb, the episodes focuses on “a Xindi agent in Detroit must be stopped from funneling unsuspecting people to their deaths, using a blood bank as a cover.” According to the news item there, Archer and T'Pol must travel back in time to stop him. It is unknown at this time how the “unnamed villain” above plays into this plot.

While in scenic Detroit, the series’ stars will encounter a pair of prostitutes, a panhandler, police officers and an impoverished and wheelchair-bound middle-aged man named “Strode.”

Last Wednesday’s episode of the series came in sixth among the major broadcast networks (out of six), drawing 4.52 million viewers.

The Scorecard
Producers: Rick Berman and Brannon Braga
Director: Mike Vejar
Casting Directors: Junie Lowry Johnson and Ron Surma
Shoot dates: 10/10-10/20
Location: Los Angeles
Production Company: Paramount
Network: UPN