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The Assignment

The Assignment

Walter Hill’s “The Assignment” is a study in contrasts. On one hand, it’s a career high for one of its lead stars, while on the other it’s amongst the career lows for the other.  On one hand, it makes a great argument for why we need more female-centered action movies, while on the other it makes a great argument for why we need better female-centered action movies. At times, it shows why we shouldn’t give up on certain stars and filmmakers just because they are “past their prime,” while at other times it shows why those who might not get as many offers for great roles or directing vehicles as they used to might want to not jump at anything that comes their way.

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The Zookeeper’s Wife

The Zookeeper's Wife

Sometimes, the time between a movie is planned, shot, edited, scored, promoted and released, its intended meaning changes along with the time it finds itself released upon. There’s no way actress/producer Jessica Chastain and director Niki Caro could have known what was in store for our political landscape of 2017 when the film was first set up in 2013 or when it went in to production in the fall of 2015, and perhaps it’s because of where we are today, with women and their rights under siege daily, that the film has extra adde poignancy and relevancy it may not have had if things turned out differently last November.

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